Programme Outline
Participants will come away with practical knowledge, confidence, and understanding of the various business and legal aspects of film & TV contracts and their negotiation.
It is designed to follow the lifecycle of a Film/TV project. The following areas are covered:
The Development Phase
Comprising agreements with scriptwriters, head writers, and showrunners, acquisition of rights in underlying material like novels through Option and Literary Purchase Agreements, as well as the clearance of life story rights for biopics or documentaries;
The Production Phase
Comprising cast and crew agreements, especially with directors, the dos and don’ts when negotiating with domestic and foreign agents, pay or play mechanisms, dealing with members of US guilds like SAG, DGA, or WGA, as well as the aspects of right clearance, title reports, and script clearance;
The Financing and Exploitation Phase
Covering the basic structures of film financing comprising single-source financing for commissioned productions and production services agreements for streaming services, as well as multi-source financing through a combination of sales and distribution agreements, pre-sales, public funding like subsidies, private equity, and co-financing, until the dos and don’ts of international co-production and the relevant regulatory framework like the European Convention on Co-Production, bilateral treaties, and the possibilities of supranational funding by Eurimages and the EU Media Programme. This segment also covers topics like cash flow management through discounting and loan agreements with banks, the necessities of completion bonds, and collection account management structures.
Fees
Early Bird Rate:
1.350,- Euros excl. VAT
For more information regarding fees visit: Fees and Funding Support Page
Who is it for?
This intensive short programme has places for approximately 15-20 participants with at least two years of experience. It targets film and TV producers (especially those on their third or fourth feature), junior executives at a national or worldwide streamer or network broadcasters, acquisitions executives in sales or distribution, and entry-level finance and legal executives in private or public funding organisations.
Applications are welcome from individuals of all nationalities!
Course Directors

Kai May
Programme Director - Business & Legal Affairs | 2022, 2023, 2024, 2025 Lawyer and Partner | Unverzagt RechtsanwaltwälteKai May’s expertise stems from 15 years of experience in the film industry as a managing director/CEO of film production companies. His area of practice, therefore, covers not only the legal but also the business aspects of film and TV productions and other media and entertainment products. He advises national and international clients on the full life cycle of audiovisual content (film, TV, OTT) from rights acquisition through the stages of development, financing, structuring, and (co-) production, until exploitation and distribution, including the evaluation of film libraries and the improvement of revenue streams. He is also a lecturer at Film University Babelsberg. Kai is Lawyer and Partner at Unverzagt Rechtsanwaltwälte.

Maria-Christine Rieder
Honorary Member of the International Screen Institute / Programme Director - Business & Legal Affairs | 2022, 2023, 2024, 2025 Lawyer | Terra Mater StudiosMaria-Christine has been managing all legal and business aspects of audio-visual content (film, TV, format), ranging from development (including rights acquisition) to financial structuring, (co-)production, and the distribution of over 400 hours of media content. She has been the interface to talent, producers, broadcasters, major studios, streamers, etc.
In her previous role as the Head of Legal and Business Affairs Content Sales International at ORF Enterprise, she was responsible for ORF and third-party content distribution contracts, applying her acquired knowledge from working at copyright law firms in Munich and Vienna and her postgraduate studies. Maria-Christine is currently Head of Legal at Terra Mater Studios.
SPEAKERS
This section will continuously update. Currently announced programme speakers:

Stéphanie Berland
Speaker - Business and Legal Affairs | 2023, 2024 Lawyer and Partner | Steering LegalStéphanie Berland is a French qualified lawyer with 20 years of experience in entertainment, media and communication law, intellectual property and technology law, and data protection in both counselling and litigation. Stéphanie heads the IP-IT/Data & Media Department of STEERING LEGAL, a multidisciplinary French law firm with offices in France and abroad (UAE, Brazil, Ivory Coast, and Niger). She graduated from HEC Paris Grande Ecole Program (2000) and holds a master’s degree in business law & tax from Pantheon-Sorbonne University (Paris 1).

Charlotte Lund Thomsen
Speaker - Business and Legal Affairs | 2023, 2024 IP Legal and Policy Council | Charlotte Lund Thomsen IP Legal & Policy AdviceCharlotte advises clients in the film and audiovisual sector on international, EU, and national copyright and regulatory matters. Following her law degree from the University of Copenhagen, she interned with the European Commission, practiced EU competition law in Brussels, and headed the International Video Federation. She maintains a strong personal interest in and passion for filmmaking, including as a member of the European Film Academy.

Stephan Mallmann
Speaker - Business and Legal Affairs | 2023, 2024 Freelance ConsultantStephan Mallmann entered the film industry in 1989. Key roles included financial controller at Constantin Film in Munich before joining Jeremy Thomas’ Recorded Picture Company in London in 1994 and becoming a founding shareholder of its sister company, Hanway Films, in 1998. He served as C.O.O. of both companies until 2012. Since then, he has been acting as an independent consultant/associate producer, working with filmmakers such as Wim Wenders (e.g., “PINA”, “Anselm”) or Rupert Everett (“The Happy Prince”), as well as on a number of high-end animation features.